![\"luisquintero_001.jpg\"](\"http:\/\/luisquintero.net\/blog\/wp-content\/uploads\/2008\/03\/luisquintero_001.jpg\")
<\/p>\nLa Luna, madre del agua, act\u00faa sobre los l\u00edquidos. Los l\u00edquidos disuelven los pigmentos. Al secar, los jugos de los colores aplicados sobre un soporte se evaporan y los pigmentos se solidifican. Una vez secos, quedan fijadas las tierras, las sangres vegetales, los \u00f3xidos y las lacas.<\/p>\n
Al salir del s\u00e9quito lunar, los colores eluden el influjo del sat\u00e9lite. No se sabe a ciencia cierta si otras lunas de mayor tama\u00f1o son capaces de influir sobre los colores desecados. La nuestra, s\u00f3lo a rega\u00f1adientes, consiente iluminar los colores, hijos del Sol. De modo que si observamos una superficie coloreada a la luz de la luna, s\u00f3lo veremos con mayor claridad los colores que a\u00fan conservan algo de humedad en su mezcla, reflejando la poca luz existente.<\/p>\n
<\/p>\n
El Sol, padre de la luz, siente clara predilecci\u00f3n por los colores concretos y asentados. De car\u00e1cter ben\u00e9volo y justo, ayuda a los colores m\u00e1s tiernos a desprenderse de todo resto de humedad que pudiera quedar en ellos, y, sec\u00e1ndolos, los vuelve firmes. Desconf\u00eda de los l\u00edquidos hasta tal punto que el m\u00e1s excelso de ellos, el mar, despose\u00eddo de color, se ve obligado a tomar prestado el tinte de las cosas que le rodean.<\/p>\n
Desde tiempos muy remotos el ser humano se empe\u00f1a en reconciliar estas dos actitudes, ofreciendo a la luz, hija del Sol, superficies coloreadas con l\u00edquidos. Los encargados de realizar estos tributos sufren mucho durante todo este proceso, por estar compuestos ellos mismos, en un porcentaje bastante alto, de agua.<\/p>\n
20-02-2005<\/p>\n
\n
ON INFLUENCE AND COMPOSITION<\/strong><\/p>\n The Moon, mother of water,can act upon liquids. Liquids dissolve pigments. When they dry, the liquid part of the colours applied to the support evaporates, and the pigments solidify. Once they are dry, the earths, the vegetable dyes, the rusts and the lacquers are all fixed.<\/p>\n Once beyond the moon\u00b4s sphere, the colours escape any influence the satellite has. It is not known for certain whether other larger moons can have any influence over dry colours. Ours will only reluctantly consent to illuminating colours, the children of the Sun. So if we look at a coloured surface by moonlight, we will only see with more clarity those colours which still have a certain level of humidity in their mixture, reflecting how little light there is.<\/p>\n The Sun, father of Light, clearly favours defined, fixed colours. Kindly and fairly, it helps the softest colours shake off any humidity which may remain within them. It distrusts liquids to such an extent that the most majestic of them all \u2013 the sea \u2013 being deprived of colour, has to take on the hues of the things around it.<\/p>\n Since time inmemorial, mankind has dedicated itself to uniting these two attitudes, offering light, dauther of the Sun, surfaces which have been coloured with liquids. Those responsable for creating these tributes suffer a great deal throughout the process, since they themselves are, to a fairly large extent, made up of water.<\/p>\n 20-02-2005<\/p>\n \n","protected":false},"excerpt":{"rendered":" La Luna, madre del agua, act\u00faa sobre los l\u00edquidos. Los l\u00edquidos disuelven los pigmentos. Al secar, los jugos de los colores aplicados sobre un soporte se evaporan y los pigmentos se solidifican. Una vez secos, quedan fijadas las tierras, las sangres vegetales, los \u00f3xidos y las lacas. Al salir del s\u00e9quito lunar, los colores eluden … Sigue leyendo Sobre la influencia y la composici\u00f3n \/ On influence and composition<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19],"tags":[27,32,34],"class_list":["post-1","post","type-post","status-publish","format-standard","hentry","category-arte-y-parte","tag-color","tag-luz","tag-naturaleza"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6WHFJ-1","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/luisquintero.net\/blog\/wp-json\/wp\/v2\/posts\/1","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/luisquintero.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/luisquintero.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/luisquintero.net\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/luisquintero.net\/blog\/wp-json\/wp\/v2\/comments?post=1"}],"version-history":[{"count":1,"href":"https:\/\/luisquintero.net\/blog\/wp-json\/wp\/v2\/posts\/1\/revisions"}],"predecessor-version":[{"id":1286,"href":"https:\/\/luisquintero.net\/blog\/wp-json\/wp\/v2\/posts\/1\/revisions\/1286"}],"wp:attachment":[{"href":"https:\/\/luisquintero.net\/blog\/wp-json\/wp\/v2\/media?parent=1"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/luisquintero.net\/blog\/wp-json\/wp\/v2\/categories?post=1"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/luisquintero.net\/blog\/wp-json\/wp\/v2\/tags?post=1"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}